What the workshop can do for you.

Catalogue licensing

Tracks made in a genre, by a studio tuned to that genre.

Work that comes out of our studios can be licensed for sync, sound design and in-store music. Every track travels with its production record: sub-style, engine, model version, date. That record is what makes the licence defensible — a track nobody can say how it was made is not a track you license seriously.

What it includes

• Picked by genre and sub-style, not by an approximate keyword
• A production record you can hand on for every track: style, engine, version, timestamp
• Generated origin stated plainly, as the European AI Act requires
• Delivered mixed, with the stems when you ask for them

Who it is for · Film and TV producers, agencies, publishers, in-store audio companies.

Integrations

What the studio does, called from your own product.

Create, remix, extend, write lyrics, split the stems: the same operations as in our studios, reachable from someone else's application. Which studio you call decides which model answers — you do not ask a rumba model for amapiano, and that is precisely what a single all-purpose generator does.

What it includes

• One credential per project, revocable, with its own usage trail
• The sub-style as a first-class parameter, not a fragment buried in a prompt
• Counted per unit delivered: what you are billed for is what came back
• A production log you can read, in plain terms, for every call

Who it is for · Software companies, platforms, studios that already have their own tools.

Label and publisher partnerships

Working a genre with the people who have known it longer than we have.

A studio is only as good as the corpus behind it and the ears that correct it. We open that work up: a label, a publisher or a collective brings its repertoire and its listening, we bring the tooling and the measurement. Rights and terms of use are settled beforehand, in writing — never after.

What it includes

• Corpus built with the rights holder, and on their terms
• Sub-styles reviewed by people who play the genre, not by a questionnaire
• What the studio learned handed back: what holds, and what does not hold yet
• A repertoire can be withdrawn, and the models concerned follow

Who it is for · Labels, publishers, artist collectives, heritage institutions.

White-label studio

The studio, under your name and on your domain.

Our architecture already separates the group from its brands: each studio is one instance, with its own domain, its own identity, its own subset of enabled styles and its own billing. Opening one more instance for a third party is not a special project — it is how the workshop normally works.

What it includes

• A domain, a name and a visual identity that are yours
• You choose which sub-styles are enabled — you expose only what concerns you
• Separate billing and accounts, kept per brand
• Fixes made at group level reach you without you having to ask

Who it is for · Brands, media, platforms that want their own studio without building one.

Opening a studio

A genre we do not cover yet.

Four genres are running; that is not an architectural ceiling. Opening a studio means describing the sub-styles of a music, gathering a legitimate corpus, tuning the models on it and having people from the trade listen. The technical part is the shortest of the four — the listening is what takes time, and rightly so.

What it includes

• A map of the sub-styles: name them before claiming to produce them
• A corpus built with the rights holders of the territory concerned
• Models tuned to the rhythmic signature the genre actually has
• It goes live when practitioners recognise the genre, not before

Who it is for · Cultural institutions, diasporas, anyone with a project on a specific repertoire.