00 · Commitments
What we refuse.
Four positions. They are written in the present tense because they hold today, and each one ends with how to catch us out — without that, this would just be a page of values.
01 / 04
No voice cloning
The position is fixed at the type level, not in a configuration. No application release can turn it into a setting — it is a company decision, not a toggle.
No studio accepts a voice sample in order to imitate its timbre, and none exposes a field that would allow it. This is not a switch left in the "off" position: the possibility does not exist in the data model, so no update, no important customer and no commercial urgency can reopen it without rewriting the product. We also decline the reverse request, more common than you would think: "make me a voice that sounds like…".
How to catch us out
Open any of the four studios: there is no field to upload a reference voice. That is the simplest form of proof — an absence anyone can check in ten seconds, without taking our word for it.
02 / 04
Traceability you can hold us to
Style, engine, version: what produced an output is kept and can be handed back. Generated content is labelled as such, in line with the European AI Act.
For every track produced, we keep the requested style, the engine used and its version. A customer who has to justify where a track came from — to a broadcaster, a rights holder or a court — gets those elements. "AI-generated" is not a label we add when asked: it travels with the output.
How to catch us out
Ask us for the origin record of a track whose reference you hold. If we cannot produce it, the commitment is in default — and there is no other reading of it.
03 / 04
Cost before margin
Real cost of sales is charged to the MI that produced it. A margin shown without its cost of sales is not a margin, and we do not present it as one.
Every generation has a supplier cost, and that cost is attached to the studio that incurred it — not diluted into a group-level "infrastructure" line. That rules out a convenient trick: showing a studio’s growth while its costs sit somewhere else. A studio losing money shows it in our own tables before it shows anywhere else.
How to catch us out
This is the one of the four an outsider cannot check: it concerns our internal accounts. We publish it anyway, because a commitment you only accept when it can be verified is not a commitment.
04 / 04
One workshop, several MIs
Styles live at group level; each MI switches on a subset. A style fixed once is fixed for all — that is what the workshop brings, and it brings nothing else to the making of music.
The workshop shares the frame: accounts, payments, engine, rendering settings. It does not share taste. No studio receives a style because another asked for it, and each one owns its visual identity — which is why the four do not look alike. The day they start to, we will have lost the very argument for having four.
How to catch us out
Put the four sites side by side. Different colours, names and sub-styles, on one shared mechanism: if all you see is a single template repeated four times, tell us.
02
What we do not promise
The list is short, deliberately.
A commitment you cannot keep is not a commitment. Neither is a number you cannot document.
We do not promise that a generated track is musically unheard-of: no generation tool can claim that, and those who do are asking you to take their word for it. We do not promise a date for a genre we do not cover yet either — a public roadmap becomes a debt one quarter later.
What we do hold to is the list above.
03
Reporting a breach
If one of these commitments is not kept.
A position you cannot report to us does not bind us.